By Jilawatan

Ever since she made her debut with Parineeta, Vidya Balan has worked with many a veteran filmmakers like Vidhu Vinod Chopra (Eklavya – The Royal Guard), Mani Ratnam (Guru), Priyadarshan (Bhool Bhulaiyaa), Raj Kumar Santoshi (Halla Bol) and Aziz Mirza (Kismat Konnection). Meanwhile, she has also worked with first time directors like Pradeep Sarkar (Parineeta) and Sajid Khan (Heyy Babyy) as well as one film old Raj Kumar Hirani (Lagey Raho Munnabhai) or Nikhil Advani (Salaam E Ishq).

Buzz up!
This is why, when she interacted with someone like Balki (who only has a Cheeni Kum behind him), what sort of change in approach did she see in them?

“The best part about him is that he is just fantastic when it comes to multitasking”, Vidya begins talking about the filmmaker, “Even during the making of the film, he would be managing his ad agency meetings. While having lunch with us, he would be having round table conversations. Meanwhile, he would interact with all of us quite normally on the sets.”

She is also impressed with the fact that in spite of a hectic schedule, Balki kept himself abreast with all that was being churned out in Bollywood. “He would always catch a Friday movie release without fail. That’s not all; he is someone who goes for all the concerts and plays. Can you believe that? He has time for everything and anything. He manages his time so well”, she gushes.

Time management is not the only factor that has impressed Vidya. She believes that Balki is also an ace when it comes to people management.

Vidya Balan “Temperamentally he is just so cool”, she smiles, “He is just so easy to work with. I have seen him interacting with his assistants. His people management is fantastic because whether it is Mr. Amitabh Bachchan or any junior most crew member on the sets, he knows how to get that comfort feel rolling. He gives and gets respects all around.”

However, the story goes that to begin with Vidya wasn’t too sure about working with Balki. “I have a personal anecdote to share”, she divulges, “My sister and brother-in-law, whom I hold in great regard, have worked with Balki for years on the ads that he has made. I used to interact with a lot of their mutual friends and they always used to speak about him. This set me wondering that what was so great about him.”

She got the answer when Cheeni Kum released and Balki’s cinematic sensibilities were on display for one and all. “I loved the film and didn’t forget the kind of wonderful experience that Balki had created. Now when I have worked with him, I know what makes some of his qualities so distinct. Both Cheeni Kum and Paa have been based on subjects hitherto unexplored and all of that has been possible due to one single factor – sheer conviction. Once Balki is sure about the story he wants to tell, there is no looking back”, she comments.

It is this conviction factor that attracted Vidya towards Paa. “I was having a constant pull and push internally before I decided to do Paa. However, Balki didn’t flinch even for a microsecond. This is what that set me on path to do Paa. I had certain doubts but they were quashed by this guy’s conviction. It is simply admirable and we all just followed the line”, she adds.

Vidya Balan While Amitabh Bachchan, Tabu and Paresh Rawal were senior heavyweights in Cheeni Kum, same wasn’t the case in Paa which featured her along with Abhishek Bachchan. “There is this mutual sense of respect that Balki encourages”, says Vidya, “Like, I really enjoyed the way he used to interact with Mr. Bachchan. Similarly with me and Abhishek, he had his own way of conveying a point. Of course all of us we used to make suggestions and he was open to them as well. He would never dismiss our suggestions.”

And how much did these suggestions actually get incorporated in the final filming?

“Hardly any”, Vidya comes up with a laugh here, “Invariably he would go with what he felt was right. He believed in the principal of listen to all and do what you feel strongest about. But yes, this entire exercise used to be quite helpful since I would ask him quite a few pertinent questions and I would always get the right answers.”

This is the reason why she was quite convinced when in the early days Balki explained to her the entire idea about the film, its background (Progeria) and how it was not meant to evoke sympathy or pity.

“I was wondering if Paa would turn out to be a serious film but Balki was quite clear that this was not going to be the case. He promised that it would be a heart warming film and that’s the way it has turned out to be. The entire disease thing is just the background of the film. The idea is to project the story with all the sensitivity but not make it a sympathetic affair”, she concludes.

By Jilawatan

Ad Filmmaker Balki, far-famed for striking spectacularly with unique themes (Cheeni Kum – a perfect illustration) is back in business.  This time with a heart-wrenching conceptualization ‘PAA’ that centers on a child affected with ‘Progeria’ aka ‘Hutchinson – Gilford Progeria Syndrome’.

Starring Amitabh Bacchan, Abhishek Bacchan and Vidhya Balan in lead roles, the ‘First Look’ promos and story were revealed recently. Much along popped up continuous buzzes ‘PAA’ is inspired from Hollywood’s ‘Curious Case of Benjamin Button’. However, the filmmaker denied them strongly terming it to be a rumor.

The film is about a couple who has a child suffering from ‘Progeria’ syndrome where the child ages extremely at extreme speed. Amitabh Bacchan enacts this special child of Abhishek-Vidhya Balan. As Big B had to be spotted with different looks, two-time Oscar winner, Stephen Dupuis has been roped in for the unique make over, which nearly takes 4-5hrs to achieve that look everyday.

By Jilawatan

Vidya Balan hopes to call on Luck this year with Ishkiyaan. And Paa, starring Amitabh Bachchan and Abhishek Bachchan, whom she will now proceed to wax over.

VIDYA Balan calls Paa, directed by Cheeni Kum‘s R Balki, her dream project.

She says, “Working on this film is like a dream come true. Both Amitabhji (Bachchan) and Abhishek (Bachchan) are so chilled out. They didn’t ever make me feel I was working with them for the first time. We had a great time on the sets.”

The actress says Amitabh Bachchan is true to his nickname, Paa. She says, “Amitabhji is seriously like (a) Paa! The way he teaches demonstrates this. He has so much patience. He is the father of our industry.”

About the film, she says, “The amazing thing about Paa is that Abhishek Bachchan plays the role of the father while Amitabh Bachchan plays the son. My character is the surprise package of the film. The film’s last shooting schedule is still pending; there are a few songs and scenes left. Hopefully, Paa will release by the end of this year. I’m sure it will be a hit with audiences.”

What traits do Amitabh Bachchan and Abhishek Bachchan share? “Well,” she says, “they are father and son! Both are very easy to work with and very cooperative. Of course, Abhishek is a comic. Working with the both of them was a nice experience.”

Paa is Amitabh Bachchan’s home production from AB Corporation Ltd.

By Jilawatan

She asks too many questions, has been christened Giggles by co-stars Naseeruddin Shah and Arshad Warsi and is finally settling in comfortably with her Indian good looks, thank you. Vidya Balan unplugged.

In the cruel heat of April, as the sun steadily beats down on the premises of Whistling Woods, Film City, actress Vidya Balan turned out in an off-white saree with a narrow border and moss-green Sabyasachi blouse is a sight for sore eyes. Balan in demure attire complete with Rapunzel locks, reminds one of the elegant simplicity of Hindi cinema best symbolised by Jaya Bachchan in Hrishikesh Mukherjee films. Days of trying to fit into the Western construct considered almost necessary for Bollywood actresses are happily behind her. A change of look for her movies is not ruled out but personally, she is all for Indian elegance. “I love wearing sarees. In fact, I have decided to wear them more often,” she says making herself comfortable in the vanity van. She is currently shooting for Balki’s Pa with Abhishek and Amitabh Bachchan.

Balan came into movies after a stint in Ekta Kapoor’s serial Hum Paanch and a few regional language films before her impressive debut in Pradeep Sarkar’s Parineeta. “I was born to be an actor,” she asserts. Quite like her pick of roles, Balan is not glamour-struck in her choice of matinee idols either. “Among actresses who made a lasting impression on me were Jaya Bachchan and Shabana Azmi. Jaya Bachchan was fantastic at what she did but was also a commercial success and that is the position one would strive for. I have tried to do films where I am an integral part of the script,” avers Balan. During her school days, Balan was convinced that she would be the next Madhuri Dixit. But soon aftershe was impressed by the power-packed performances of Jaya Bachchan and Shabana Azmi. It was during a break for her class XII exam that she watched Arth and was spellbound by Azmi’s performance. “Instead of studying, I kept wondering how they must have done the scenes. I had heard that Shabana did not use glycerine for her crying scenes and I tried all possible tricks to perform the same feat!” Balan reminisces with a laugh.

After a not-too-remarkable 2008—Halla Bol and Kismat Connection did not impress— the actress is looking at newer challenges.

This year she has been busy at work with Ishqiya opposite Naseeruddin Shah and Pa with Abhishek and Amitabh Bachchan. About working with legendary actors such as Shah and Bachchan, she says, “It is not easy to describe the experience – but when you see them, you realise that these greats are great because their passion, focus and dedication is unshakable. This is the first time I have acted with Mr Bachchan, with who I had barely one scene during the making of Eklavya. Watching him, I have learnt to be more patient. The humility of that man in his approach to work is incredible. He doesn’t take anything for granted even today after 40 years that I think is marvellous. It is very, very humbling.”

Of her stint with Naseeruddin Shah, she recalls, “I have loved Naseeruddin Shah’s work all my life. His daughter was my senior in college and we actually did television together. In fact, xI called up for Hiba once and he picked up…I got so nervous that I put the phone down!”

“Working with Naseer was fantastic. Initially, I was a little shy of him — we did our scenes together and then I went and sat in the corner. I think he realised it and after some time he warmed up to me. They would tease me about my laughing fits -Arshad and he named me Giggles because of it! Even through my laughing fits he was very patient,” laughs Vidya.

The conversation meanwhile has meandered to Pa, the film for which she is currently shooting, though Balan remains tightlipped about it except that “It’s a special film. The script is fabulous and there’s Balki — I loved Cheeni Kum!”

The script is something that Balan is particular about, especially after her mainstream experiments Salaam-e-Ishq and Kismat Connection met with lukewarm response. “It’s nice to do different things to know what you want to do and what you don’t. I wanted to do a purely commercial cinema and the films met the criteria. What a lot of people said after Heyy Babyy and Kismat Connection was that I was wasted in the films, so maybe I need to do roles that are more fleshed-out. The challenge then is greater and I am able to give it my best.”

She is also an actor who likes to prepare – read the script before the shoot and by her own admission, ask a lot of questions. “I would say that I preferred myself in Kismat Connection to Heyy Babyy. They are two films whose script I hadn’t read before I went to shoot. For Kismat Connection, I had thought of reading the script once I reached Canada, but I couldn’t. I went to sleep and woke up the next morning just in time for the shoot! I panicked and started crying,” she recalls. “It was almost a forewarning.”

The competition may be growing but Vidya, who in a short span has landed prestigious projects with top- league directors, is uncompromising in her quest for good films and unhurried as there are enough interesting roles going around. “ I hope that all good directors such as Pradeep Sarkar, Balki and Rajkumar Hirani repeat me in their films but I would love to work with Vishal Bhardwaj, Sanjay Leela Bhansali, Ashutosh Gowariker, Rakyesh Omprakash Mehra, Imtiaz Ali, Vinan Matthew and Rituparna Ghosh, Majid Majidi and Woody Allen perhaps?” she says, once again erupting into her infectious laughter.

With her unerring instinct and what is turning out to be an interesting body of work, the list looks very achievable.

By Jilawatan

Vidya Balan is taking things slowly. The actress is shooting for just one film at a time. From 2 March the actress will be in the company of the father and son duo of the Bachchan family.

Pa is being directed by Balki of Cheeni Kum fame. The director will start his first schedule for the film across various places in Mumbai before moving up North India. Balan, who has been shying away from the media said in an earlier interview, “There is always greed to do more and more films. But I have kept my little Satan tucked away and however tempting be the proposition, I will try and restrain myself to doing one film at a time.”

On getting the offer to work with the Bachchans, Balan was ecstatic. She said, “I have worked in Eklavya with Mr. Bachchan, but with both of them, it is going to be great. Junior is so full of fun. I am all set to get taken for a ride by Abhishek. He is a big prankster.”

As for Balki, Balan is of the opinion, “He did a phenomenal job in Cheeni Kum. A beautiful love story told simply is far more difficult to make and he did it with such ease, in spite of it being his first film. Pa will be a film that I will have been proud to have done.”